Lovely War Read online

  VIKING

  An imprint of Penguin Random House LLC, New York

  First published in the United States of America by Viking, an imprint of Penguin Random House LLC, 2019

  Copyright © 2019 by Julie Berry

  “I Hear a Rhapsody”

  Words and Music by George Frajos, Jack Baker, and Dick Gasparre

  © 1940 Screen Gems-EMI Music Inc.

  All rights for the world excluding the United States Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219

  International Copyright Secured

  All Rights Reserved

  Reprinted by Permission of Hal Leonard LLC

  “As Time Goes By”

  Words and Music by Herman Hupfeld

  © 1931 (Renewed) WB Music Corp.

  All Rights Reserved

  Used by Permission of Alfred Music

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  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA IS AVAILABLE.

  Ebook ISBN 9780698157484

  Version_1

  For Cyrena Davison Keith

  and Edith Dudley Gardner,

  my grandmothers;

  for Kendra Levin, forever dear;

  and for Phil

  CONTENTS

  TITLE PAGE

  COPYRIGHT

  DEDICATION

  EPIGRAPH

  OVERTUREDECEMBER 1942: I Hear a Rhapsody

  DECEMBER 1942: The Golden Net

  DECEMBER 1942: The Judgment of Manhattan

  ACT ONEAPHRODITE: Hazel—November 23, 1917

  APHRODITE: First Dance—November 23, 1917

  APHRODITE: The Kiss (Part I)—November 23, 1917

  APHRODITE: The Kiss (Part II)—November 23, 1917

  APHRODITE: Sleepless—November 23, 1917

  APHRODITE: The King’s Whiskers—November 23, 1917

  DECEMBER 1942: An Interruption

  APHRODITE: Caught—November 23, 1917

  APHRODITE: A Note—November 23, 1917

  APHRODITE: The Tea Shop—November 24, 1917

  APHRODITE: Questions—November 24, 1917

  DECEMBER 1942: To Forge, to Meld

  APHRODITE: A Walk—November 24, 1917

  APHRODITE: Goodbye—November 24, 1917

  APHRODITE: In Between—November 24, 1917

  DECEMBER 1942: First Witness

  APOLLO: Carnegie Hall—May 2, 1912

  APOLLO: Spartanburg—October 13, 1917

  DECEMBER 1942: Intersection

  APHRODITE: Royal Albert Hall—November 25, 1917

  APHRODITE: Concert, Continued—November 25, 1917

  APHRODITE: Torture—November 25–26, 1917

  APHRODITE: First Night—November 26, 1917

  ENTR’ACTE

  ACT TWOAPOLLO: “I Want to Be Ready”—January 3, 1918

  APHRODITE: Relief Huts—January 4, 1918

  DECEMBER 1942: Second Witness

  ARES: Bayonet Practice—January 4, 1918

  DECEMBER 1942: Third Witness

  Colette Fournier—July–August 1914

  APHRODITE: Entertaining the Yanks—January 4, 1918

  APOLLO: Wake-Up Call—January 3, 1918

  APHRODITE: Pathétique—January 8, 1918

  APHRODITE: Midday Mail—January 9, 1918

  ARES: Target Practice—January 7, 1918

  APHRODITE: Girl Singer—January 12, 1918

  APOLLO: The Next Morning—January 13, 1918

  APOLLO: At Band Practice—January 13, 1918

  ARES: In the Trenches—January 9, 1918

  APHRODITE: Caught—January 15, 1918

  APOLLO: Half an Hour—January 15, 1918

  ARES: Under the Moons of Mars—January 9, 1918

  APOLLO: Colt M1910—January 16, 1918

  APHRODITE: Two Letters Arrive—January 19, 1918

  ARES: Moving Up the Line—January 20, 1918

  APHRODITE: A Headache—January 26, 1918

  APHRODITE: Stéphane—January 26, 1918

  ARES: Don’t Shoot the Dummy—January 30, 1918

  APOLLO: Vampire Squad—February 3, 1918

  ARES: Rotating Out—February 8, 1918

  APHRODITE: Two Days’ Leave—February 8, 1918

  APHRODITE: Concert Night—February 11, 1918

  APOLLO: Trouble with Joey—February 11, 1918

  HADES: Vertigo—February 11, 1918

  HADES: Torchlight—February 11, 1918

  HADES: Homecoming

  ENTR’ACTEThree Trains—February 12–13, 1918

  ACT THREEAPHRODITE: Gare du Nord—February 13, 1918

  APHRODITE: Archimedes—February 13, 1918

  APHRODITE: Café du Nord—February 13, 1918

  APHRODITE: Saint-Vincent-de-Paul—February 13, 1918

  APHRODITE: Le Bouillon Chartier—February 13, 1918

  DECEMBER 1942: A Kiss Is Just a Kiss

  APHRODITE: About Time—February 13, 1918

  DECEMBER 1942: An Answered Prayer

  APHRODITE: When We Were Young—February 13, 1918

  HADES: Midnight Train—February 13, 1918

  APHRODITE: Valentine’s Day—February 14, 1918

  APHRODITE: Letting Go—February 14, 1918

  Three Trains Again—February 15, 1918

  APHRODITE: Waiting for Letters—February 19–28, 1918

  HADES: Hideaway—March 1–12, 1918

  APOLLO: Three Million Notes—March 13, 1918

  APHRODITE: Note for Note—March 16, 1918

  APHRODITE: Digging—March 18, 1918

  APHRODITE: Treason—March 18, 1918

  APHRODITE: Do You Deny It?—March 19, 1918

  ARES: Preparations—February 20–March 20, 1918

  APHRODITE: Regrouping—March 20, 1918

  ARES: Operation Michael—March 21, 1918

  APHRODITE: From Paris—March 21, 1918

  ARES: Handed to the French—March 21, 1918

  ARES: Fog—March 21, 1918

  ARES: Jesse James—March 21, 1918

  ARES: Sniper in the Snow—March 21, 1918

  DECEMBER 1942: Telegram

  HADES: At the Beach

  HADES: Identity Discs—March 21, 1918

  ENTR’ACTEAPHRODITE: The Fates of Certain Letters

  ACT FOURARES: Chocolate—March 24–April 5, 1918

  HADES: Disappearing—March 22–25, 1918


  HADES: Horse-Race Gambling—March–April 1918

  APOLLO: Émile—March 22–April 13, 1918

  APHRODITE: Any Work Will Do—March 29, 1918

  HADES: The Pink Room—April 12, 1918

  APHRODITE: Cabbage in Compiègne—April–May 1918

  HADES: Welcome Home—May 6, 1918

  ARES: Spelling the Word “American”—May 14, 1918

  APHRODITE: House Call—June 1, 1918

  APHRODITE: Watching Her Go—June 1, 1918

  APHRODITE: Spasms—June 1, 1918

  ARES: Light Duty—June 3–4, 1918

  APHRODITE: Hoping It Might Be You—June 4, 1918

  APHRODITE: Work—June 4–9, 1918

  HADES: Let It Be Me—June 14, 1918

  APHRODITE: Mangled Up—June 14, 1918

  APHRODITE: Ride to Lowestoft—June 15, 1918

  HADES: What Adelaide Needed to Know—June 15, 1918

  HADES: James’s Answers—June 15, 1918

  ENTR’ACTESeaside—June 15, 1918

  ACT FIVEAPHRODITE: The Battle of Henry Johnson—June 5, 1918

  APHRODITE: Medical Review Board—July 1, 1918

  APHRODITE: Mail Delivery—June 29, 1918

  DECEMBER 1942: A Possible Ending

  The Rest of the Story—July 15–August 17, 1918

  HADES: The Royal Albert Hall

  APHRODITE: Lazybones—August 20, 1918

  APHRODITE: Scars—August 21–September 1, 1918

  DECEMBER 1942: Handkerchiefs

  APHRODITE: Elevens—1918 and Beyond

  Harlem Bound—1919 and Beyond

  EXIT MUSICDECEMBER 1942: Closing Arguments

  DECEMBER 1942: About Time (Part II)

  HISTORICAL NOTE

  SELECTED BIBLIOGRAPHY

  ACKNOWLEDGMENTS

  ABOUT THE AUTHOR

  And when Hephaestus heard the grievous tale, he went his way to his smithy, pondering evil in the deep of his heart, and set on the anvil block the great anvil and forged bonds which might not be broken or loosed, that the lovers might bide fast where they were.

  So they two went to the couch, and lay them down to sleep, and about them clung the cunning bonds of the wise Hephaestus, nor could they in any wise stir their limbs or raise them up. Then at length they learned that there was no more escaping.

  —from The Odyssey, by Homer

  OVERTURE

  DECEMBER 1942

  I Hear a Rhapsody

  IT IS EARLY evening in the lobby of an elegant Manhattan hotel. Crystal prisms dangling from the chandeliers glow with soft electric light. On velvet couches near the fire, couples sit close, the men in officers’ uniform, the women in evening wear, resting their heads on their gentlemen’s shoulders. Restaurant garçons seat couples at dim tables secluded by faux-Greek marble busts and showy ferns, where urgent kisses may remain unseen.

  The orchestra warms up, then begins the strains of “I Hear a Rhapsody.” A lady singer fills the glittering stage with her amber-colored voice:

  MY DARLING, HOLD ME TIGHT

  AND WHISPER TO ME

  THEN SOFT THROUGH A STARRY NIGHT

  I’LL HEAR A RHAPSODY

  She’s not Dinah Shore, but she’s really something.

  A man and woman enter the lobby and approach the front desk. All eyes follow their progress across the Persian rugs. The man, colossal in build and stern of jaw, wears a fedora tipped low over his brow. When he reaches for a billfold from the inside pocket of his double-breasted pin-striped suit, the panicky thought occurs to the desk clerk that perhaps the man is reaching for a pistol. His black-and-white wing-tip shoes don’t look jaunty. They look dangerous. He makes half the men nervous, and the other half angry. He’s the kind of man who could crush you beneath his feet, and he knows it.

  But oh, is he beautiful.

  His lady friend, even more so.

  She wears a tailored, belted suit of deep blue that fits her better than skin. Her figure is the sort that makes other women give up altogether. From the waves of dark hair, coiffed and coiled under her cocktail hat, to her wide, long-lashed eyes peering out through its coy little veil of black netting, down to the seams of her silk stockings disappearing into her Italian leather pumps, she is arrestingly beautiful. Impossibly perfect. The scent of her perfume spreads its soft fingers across the lobby. Everyone there, man and woman, surrenders to their awareness of her.

  The tall man knows this, and he’s none too pleased about it.

  He riffles a pile of bills under the nose of the stammering clerk and snatches a key out of his unprotesting hand. They make their way through the lobby, with the man urging the woman forward as though time won’t keep, while she takes every slow step as though she’d invented the art of walking.

  They carry no luggage.

  Even so, a stooped and bearded bellhop follows them up the stairs and down the corridor. The violent glares from the tall man would have sent others fleeing, but this bellhop chatters as he lopes along on crooked steps. They ignore him, and he doesn’t seem to mind.

  They reach their room. Its lock gives way beneath the swift thrust and twist of the man’s key. They disappear into their room, but the persistent bellhop follows them in.

  He clicks the light switch back and forth rapidly. “Bulb must be out,” he says apologetically. “I’ll be right back with maintenance.”

  “Never mind,” says the man.

  “Bottle of champagne?” the bellhop suggests.

  “Scram,” the man tells him. He and his lovely companion disappear down the narrow hallway, past the closet and bath, and into the tastefully decorated suite.

  “As you like,” the bellhop replies.

  They hear the door open and shut. In an instant they are in each other’s arms. Shoes are kicked off, hats tossed aside. Jacket buttons are shown no mercy.

  One might not trust this man, and one might even envy or condemn this sort of woman, but no one can deny that when they kiss, when these two paragons, these specimens of sculpted perfection collide, well—

  Kisses by the billions happen every day, even in a lonely world like ours.

  But this is a kiss for the ages. Like a clash of battle and a delicious melding of flesh, rolled together and set on fire.

  They’re lost in it for a while.

  Until a cold metal net falls over them, and the electric lights snap on.

  “Evening, Aphrodite,” says the stoop-shouldered bellhop.

  DECEMBER 1942

  The Golden Net

  THE PRISONERS, stunned and blinking, have the squashed and deformed look of criminals who pull pantyhose over their heads to rob a bank. The golden mesh of the net, supple and translucent, presses down upon them with the weight of a ship’s iron chains. It’s a work of exquisite beauty and extraordinary cunning, but neither god appreciates its craftsmanship just then.

  Aphrodite’s lover tears at the net with savage fingers, but its glittering strands hold firm.

  “I’ll skewer you, brother,” he snarls. “I’ll smash your skull like an eggshell.”

  Most people would flee at the malice in that deep voice. But not Hephaestus. He’s not afraid of the massive god.

  “Don’t waste your breath on him, Ares,” says beautiful Aphrodite. She turns a withering gaze on her uniformed husband. “For a hotel this expensive, the service here stinks.”

  Hephaestus, god of fires, blacksmiths, and volcanoes, ignores the jab. He eases himself into a soft chair and stretches his misshapen feet before him on the carpet, then addresses the battle god, who is indeed
his brother. Both are Hera’s sons. “Service everywhere has gone down the toilet since your latest war began. All the good men are overseas.”

  “Where they should be.” Ares thrashes again at the golden net. He tries to conjure a weapon from thin air. Normally this would be effortless for him.

  “No point,” advises Hephaestus. “Might as well be mortal, for all the good your power’ll do you. My net blocks you. Can’t have you escaping.”

  Aphrodite, goddess of passion, turns her back upon her husband. He catches her gaze in a long gilt-edged mirror.

  “You disgust me,” she tells his reflection. “Jealous, cringing dog.”

  “Jealous?” Hephaestus feigns surprise. “Who, me? With a wife so loyal and devoted?”

  If his words sting Aphrodite, she doesn’t let it show. She pulls her blue jacket back on over her blouse and knots a fetching little scarf around her neck. “Well, you’ve caught us,” she tells Hephaestus. “Netted like two fish in a stream. What do you plan to do with us?”

  “I’ve done it” is his reply. “Step one, anyway. Put you under arrest.”

  Ares and Aphrodite look at him like he’s mad, which is possible.

  “Step two: offer you a plea bargain.”

  Aphrodite’s eyebrows rise. “Offer me a what?”

  “A deal,” he says. “Renounce this chump, and come home with me. Be my faithful wife, and all is forgiven.”

  The clock on the mantelpiece gets two or three clicks in before Aphrodite begins to snicker. Ares, who has watched for her response, now guffaws with laughter. Too big, too loud, but he’s relieved, and he’s never been a good actor.

  “You think she’ll leave this for you?” He flexes his many (very, very many) muscles. They swim like dolphins under his glowing skin. The removal of his shirt has done glorious things.

  Hephaestus is drowning inside, but he’s come this far and he sticks to his plan. “You reject my offer?” he says. “Then I’m taking you to trial on Olympus.”

  The net, which had lain over them like a heavy blanket, now encircles and encloses Ares and Aphrodite like a laundry bag, while a chain hoists them upward. Their divine limbs, so impressive in marble statues, jumble every which way uncomfortably. The netting bag rotates slowly through the air, like a ham curing over hot coals.